Primo RH resembles the harp again towards the end of bar 50 RH needs to be on top of Secondo RH to avoid hand collisions. To preserve the staccato background harmony played by Primo LH, no pedal is required.Ġ1:13 bar 49-50: Sudden drop to p paves the way to the climax of the entire piece through the crescendo. Also note the descending bass line in Secondo LH from Bb to the E in bar 49. Primo RH (trumpet) and Secondo RH (saxophones) are as a duet. Alternative flat 7th minor and tonic chords serves as the harmony of this section.Ġ1:00 bar 40: The C# in Secondo LH needs to be played softly to create a minimal dissonance with the tied D while still acting as a passing chromatic bass to the C natural.Ġ1:08 bar 45-48: The key center is momentarily changed to Bb major. Pedal can be applied in this section until the end of bar 44. The arpeggios in Primo resembles the harp. Same for bar 27-28.Ġ0:55 bar 37: The second section starts quietly with an expressive saxophone melody played by Secondo. In bar 23-24 Secondo RH has to play above Primo LH to avoid hand collisions. The texture in Secondo is thicker with up to 3-note chords in the RH and denser rhythm in LH.Ġ0:32 bar 21-27: (Secondo LH) The bass D remains unchanged over several chords, acting as pedal point (I - II7_d - iv_c - I).Ġ0:34 bar 23-25: The countermelody in Primo LH represents the brass, a great contrast against the melody in the strings. Same for bar 27-30.Ġ0:30 bar 21: the melody is now passed to the strings and is played as octaves. The ornaments are short and clean decorations to the melody which give the tune the joyful color (played by woodwind in the soundtrack.Ġ0:16 bar 11-14: (Secondo LH) Note the descending chromatic bass line from D to B over the 4 bars. In each bar, this 16th staccato also anticipates the following tenuto note.Ġ0:07 bar 5: the articulations of the melody in Primo have to be observed. The 16th note in the LH is hard for the alignment against RH so it is worth more attention. The uses of flat 6ths and flat 7ths are common throughout.Ġ0:04 bar 3: Secondo RH has to be played quietly but with momentum, keeping the pulse. The intro starts with the harmonic progression bVI-bVII-I. Piano four hand version for the Champion's Road soundtrack in Super Mario 3D World.ĭedicated to all Super Mario lovers who have spent countless hours on playing the Champion's Road.Ġ0:00 bar 1-3: The melody played by primo is two octaves apart giving a more sonorous effect.